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Open a larger version of the following image in a popup: Nerhol, Interview / Mr. Gerardo Tanamachi, 2024
Open a larger version of the following image in a popup: Nerhol, Interview / Mr. Gerardo Tanamachi, 2024
Open a larger version of the following image in a popup: Nerhol, Interview / Mr. Gerardo Tanamachi, 2024
Open a larger version of the following image in a popup: Nerhol, Interview / Mr. Gerardo Tanamachi, 2024
Open a larger version of the following image in a popup: Nerhol, Interview / Mr. Gerardo Tanamachi, 2024
Open a larger version of the following image in a popup: Nerhol, Interview / Mr. Gerardo Tanamachi, 2024
Open a larger version of the following image in a popup: Nerhol, Interview / Mr. Gerardo Tanamachi, 2024
Open a larger version of the following image in a popup: Nerhol, Interview / Mr. Gerardo Tanamachi, 2024
Open a larger version of the following image in a popup: Nerhol, Interview / Mr. Gerardo Tanamachi, 2024
Open a larger version of the following image in a popup: Nerhol, Interview / Mr. Gerardo Tanamachi, 2024
Open a larger version of the following image in a popup: Nerhol, Interview / Mr. Gerardo Tanamachi, 2024
Open a larger version of the following image in a popup: Nerhol, Interview / Mr. Gerardo Tanamachi, 2024
Open a larger version of the following image in a popup: Nerhol, Interview / Mr. Gerardo Tanamachi, 2024
Open a larger version of the following image in a popup: Nerhol, Interview / Mr. Gerardo Tanamachi, 2024
Open a larger version of the following image in a popup: Nerhol, Interview / Mr. Gerardo Tanamachi, 2024
Open a larger version of the following image in a popup: Nerhol, Interview / Mr. Gerardo Tanamachi, 2024
Open a larger version of the following image in a popup: Nerhol, Interview / Mr. Gerardo Tanamachi, 2024

Nerhol Japón, 1980 & 1981

Interview / Mr. Gerardo Tanamachi, 2024
Impresión por inyección de tinta
33 x 56 x 1.6 cm
13 x 22 x 5/8 in
Copyright The Artist

Imágenes

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Nerhol es el nombre de la pareja artística formada por Yoshihisa Tanaka y Ryuta Iida. El trabajo de Tanaka implica la reutilización de materiales y la resignificación de símbolos, mientras que el de Iida se centra en el uso del papel como material escultórico. La combinación de sus dos acercamientos al arte resulta en una obra conjunta que cuestiona los ciclos de consumo y obsolescencia característicos de la contemporaneidad.
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info@amma.art

 

 
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