¿Cómo mirar lo (in)visible?: Museo del Virreinato - Centro Cultural el Atrio (San Luis Potosí) - Hasta el 10 de agosto de 2025
Resumen
¿Cómo mirar lo (in)visible?, Museo del Virreinato - Centro Cultural el Atrio (San Luis Potosí) - Hasta el 10 de...

Del 13 de marzo al 10 de agosto de 2025

 

Ver no es un acto absoluto. Siempre hay algo que se revela y algo que se escapa a la mirada. Esta exposición reúne dibujos, pinturas, esculturas y fotografías de la colección de la Fundación Amparo y Manuel, obras que no se limitan a representar lo inmediato, sino que operan como fuerzas activas: son fluctuantes, inestables y en constante tensión.

 

¿Cómo mirar lo  (in)visible?

Fundación AMMA

Del 13 de marzo al 10 de agosto de 2025
#AMMA2025

 

Museo del Virreinato "Centro Cultural el Atrio" 

Villerias 115, Centro Historico, 78000

San Luis Potosí, S.L.P.

Exposición incluida en el boleto de acceso al museo

Martes a Sábado

10:00 a 19:00 horas.

Domingo

11:00 a 18:00 horas.

 

Vistas de la exposición
Obras
Open a larger version of the following image in a popup: Bert Stern, Marilyn Monroe behind a crucifix, from The Last Sitting for Vogue, 1962
Open a larger version of the following image in a popup: Xavier Veilhan, Laurence, 2017
Open a larger version of the following image in a popup: Matt Mullican, Untitled (2x2 Elements Sign), 2015
Open a larger version of the following image in a popup: Rose Wylie, I Like to Be, 2020
Open a larger version of the following image in a popup: Ania Hobson, Ania, 2016
Open a larger version of the following image in a popup: Genieve Figgis, Ladies at Versailles, 2022
Open a larger version of the following image in a popup: Andi Fischer, Ya ya narrenschiff, 2022
Open a larger version of the following image in a popup: Henri Cartier, Behind the gare St. Lazare, Paris, 1932
Open a larger version of the following image in a popup: Stanley Whitney, Untitled, 2016
Open a larger version of the following image in a popup: Grace Metzler, Sisters from different misters, 2022
Open a larger version of the following image in a popup: Hernan Bas, Three Vampires, 2020
Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012
Open a larger version of the following image in a popup: David Hockney, Arrival of Spring in Woldgate, East Yorkshire in 2011 (plate 5), 2011
Open a larger version of the following image in a popup: George Rodrigue, Happy Days Are Here Again, 2002
Open a larger version of the following image in a popup: Kent Iwemyr, Sommaren med Albert, 2020
Open a larger version of the following image in a popup: John Sonsini, David, Jose, Santiago, Lorenzo and Pedro, 2006
Open a larger version of the following image in a popup: Oscar Cueto, Diez malas criticas, 2006
Open a larger version of the following image in a popup: Oscar Cueto, 10 malas criticas , 2004
Open a larger version of the following image in a popup: David Shrigley, Untitled (Don't), 2013
Open a larger version of the following image in a popup: David Shrigley, Untitled (Kick the skull...), 2013
Open a larger version of the following image in a popup: David Shrigley, Untitled (Stop drawing...), 2013
Open a larger version of the following image in a popup: David Shrigley, Untitled (Vermin), 2013
Open a larger version of the following image in a popup: Klaas Rommelaere, Escape Route: in order to be successful one must project an image of success at all time, 2019
Open a larger version of the following image in a popup: Ulf Puder, Hafenbecken, 2014
Open a larger version of the following image in a popup: Zeh Palito, Your love is king, 2022
Open a larger version of the following image in a popup: Hans Scheib, Morgen (Tomorrow), 2009
Open a larger version of the following image in a popup: Michael Van Ofen, Officer (Offizier), 2008
Open a larger version of the following image in a popup: Michael Van Ofen, Toqueville (Head), 2008
Bert Stern, Marilyn Monroe behind a crucifix, from The Last Sitting for Vogue, 1962
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