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    Open a larger version of the following image in a popup: Eliezer Sonnenschein, A man with a cake hat, 2008
    Open a larger version of the following image in a popup: Eliezer Sonnenschein, A man with a cake hat, 2008
    Open a larger version of the following image in a popup: Eliezer Sonnenschein, A man with a cake hat, 2008
    Open a larger version of the following image in a popup: Eliezer Sonnenschein, A man with a cake hat, 2008
    Open a larger version of the following image in a popup: Eliezer Sonnenschein, A man with a cake hat, 2008
    Open a larger version of the following image in a popup: Eliezer Sonnenschein, A man with a cake hat, 2008
    Open a larger version of the following image in a popup: Eliezer Sonnenschein, A man with a cake hat, 2008

    Eliezer Sonnenschein Haifa, Israel, b. 1967

    A man with a cake hat, 2008
    Oil on panel / Óleo sobre tabla
    160.5 x 122 x 5 cm
    63 1/4 x 48 x 2 in
    © 2008 Eliezer Sonnenschein / Cortesía Fundación AMMA
    Photo: Alejandro Paez

    Further images

    • (View a larger image of thumbnail 1 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 2 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 3 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 4 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 5 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 6 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 7 ) Zhengjie Feng, China 2005 Num. 24, 2005
    View on a wall
    La obra de Eliezer Sonnenschein retrata a un hombre con traje y sombrero rojo con rostro pálido y sin manos. A su lado se presenta una rueda atada a él. En su trabajo, que va desde pintura y escultura, hasta instalaciones y montaje fotográfico digital, Sonnenschein hace una crítica política a las normas sociales del Israel contemporáneo, así como a la cultura digital. Sus pinturas incluyen escenas apocalípticas, armas y personajes robóticos; el artista toma referencias de los medios virtuales, juegos de video e imágenes de redes sociales, para yuxtaponerlas en diferentes realidades y tiempos.
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Av. Las Flores 64 A,

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Authorized donee since 2012.

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