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    Open a larger version of the following image in a popup: Harding Meyer, Untitled (o.T.), 2008
    Open a larger version of the following image in a popup: Harding Meyer, Untitled (o.T.), 2008
    Open a larger version of the following image in a popup: Harding Meyer, Untitled (o.T.), 2008
    Open a larger version of the following image in a popup: Harding Meyer, Untitled (o.T.), 2008
    Open a larger version of the following image in a popup: Harding Meyer, Untitled (o.T.), 2008
    Open a larger version of the following image in a popup: Harding Meyer, Untitled (o.T.), 2008
    Open a larger version of the following image in a popup: Harding Meyer, Untitled (o.T.), 2008

    Harding Meyer Brasil, b. 1964

    Untitled (o.T.), 2008
    Oil on canvas / Óleo sobre tela
    121 x 151 cm
    47 5/8 x 59 1/2 in
    © 2008 Harding Meyer / Cortesía Fundación AMMA

    Further images

    • (View a larger image of thumbnail 1 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 2 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 3 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 4 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 5 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 6 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 7 ) Zhengjie Feng, China 2005 Num. 24, 2005
    View on a wall
    La obra de Harding Meyer retrata el rostro de una mujer de ojos verdes. El artista es conocido por sus retratos realistas de gran escala, realizados a partir de imágenes...
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    La obra de Harding Meyer retrata el rostro de una mujer de ojos verdes.
    El artista es conocido por sus retratos realistas de gran escala, realizados a partir de imágenes fotográficas reproducidas en medios de comunicación como televisión, revistas, prensa o medios digitales. Los retratos, generalmente en encuadres muy cerrados donde las miradas confrontan al espectador, son pintados al óleo con pínceles y espátulas, recuperando las distorsiones y aberraciones que producen los medios masivos.
    En su práctica pictórica, Meyer, recupera cierta humanidad que los rostros han perdido dentro de la saturación del contenido visual mediático.
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