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    Open a larger version of the following image in a popup: Stanley Whitney, Untitled, 2016
    Open a larger version of the following image in a popup: Stanley Whitney, Untitled, 2016
    Open a larger version of the following image in a popup: Stanley Whitney, Untitled, 2016
    Open a larger version of the following image in a popup: Stanley Whitney, Untitled, 2016
    Open a larger version of the following image in a popup: Stanley Whitney, Untitled, 2016
    Open a larger version of the following image in a popup: Stanley Whitney, Untitled, 2016
    Open a larger version of the following image in a popup: Stanley Whitney, Untitled, 2016
    Open a larger version of the following image in a popup: Stanley Whitney, Untitled, 2016

    Stanley Whitney Filadelfia, Pensilvania, EEUU, b. 1946

    Untitled, 2016
    Monotype in watercolor on lanaquarelle paper
    90 x 120 cm
    35 3/8 x 47 1/4 in
    © 2016 Stanley Whitney / Courtesy Fundación AMMA
    Photo: Alejandro Paez

    Further images

    • (View a larger image of thumbnail 1 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 2 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 3 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 4 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 5 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 6 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 7 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 8 ) Zhengjie Feng, China 2005 Num. 24, 2005
    View on a wall
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    A landscape painting composed of stripes in vibrant colors. The geometry appears as a playful arrangement, thanks to the vividness and variety of the colors—applied unevenly—and to the freedom with which the polygons are treated.
    Whitney’s work explores the formal possibilities of color, drawing on principles close to the Color Field movement while being influenced by other artistic expressions such as jazz music. His system of combining shapes and colors, in its deceptive simplicity, allows them to reveal their meaning in unexpected ways.
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