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    Open a larger version of the following image in a popup: Mickalene Thomas, Portrait of Kerri #2, 2019
    Open a larger version of the following image in a popup: Mickalene Thomas, Portrait of Kerri #2, 2019
    Open a larger version of the following image in a popup: Mickalene Thomas, Portrait of Kerri #2, 2019
    Open a larger version of the following image in a popup: Mickalene Thomas, Portrait of Kerri #2, 2019
    Open a larger version of the following image in a popup: Mickalene Thomas, Portrait of Kerri #2, 2019
    Open a larger version of the following image in a popup: Mickalene Thomas, Portrait of Kerri #2, 2019
    Open a larger version of the following image in a popup: Mickalene Thomas, Portrait of Kerri #2, 2019

    Mickalene Thomas Nueva Jersey, EUA, b. 1971

    Portrait of Kerri #2, 2019
    Rhinestones and acrylic on canvas mounted on panel
    152.4 x 121.9 x 5.1 cm
    60 x 48 x 2 in
    © 2019 Mickalene Thomas / Courtesy Fundación AMMA
    Photo: Sergio Ortíz

    Further images

    • (View a larger image of thumbnail 1 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 2 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 3 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 4 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 5 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 6 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 7 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • Portrait of Kerri #2
    View on a wall
    Read more
    A woman depicted from behind turns toward the viewer and fixes them with her gaze. Beyond the figure's foreshortened pose, the painting draws the eye through the small rhinestones adorning her clothing, skin, and body, as well as the ten soft-toned squares that partially obscure her—acting as a form of censorship or visual noise.
    In Mickalene Thomas’s portraits, the strength and courage of women are palpable. Her work serves as a reminder of the importance of women across various spheres of society. She frequently employs collage, combining diverse visual elements—each with its own symbolism—to construct her unique fantasy world; her process begins with photography, incorporating multimedia, painterly, and collage techniques.
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Av. Las Flores 64 A,

Campestre, Álvaro Obregón,

01040, Mexico City. 

 

Authorized donee since 2012.

info@amma.art

 

 
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