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    Open a larger version of the following image in a popup: Esther Pearl, Not much Left , 2019
    Open a larger version of the following image in a popup: Esther Pearl, Not much Left , 2019
    Open a larger version of the following image in a popup: Esther Pearl, Not much Left , 2019
    Open a larger version of the following image in a popup: Esther Pearl, Not much Left , 2019
    Open a larger version of the following image in a popup: Esther Pearl, Not much Left , 2019
    Open a larger version of the following image in a popup: Esther Pearl, Not much Left , 2019

    Esther Pearl Frankfurt, Alemania, b. 1973

    Not much Left , 2019
    Acrylic and glitter on panel / Acrílico y glitter sobre tabla
    101.6 x 152.4 cm
    40 x 60 in
    © 2019 Esther Pearl / Cortesía Fundación AMMA

    Further images

    • (View a larger image of thumbnail 1 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 2 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 3 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 4 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 5 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 6 ) Zhengjie Feng, China 2005 Num. 24, 2005
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    Una escena nocturna en un aparcamiento, a medio camino entre el exvoto y la película para adolescentes. Hay coches, una camarera en la puerta del establecimiento, clientes, los carteles que anuncian las cadenas… Todo con muchos colores, y todo tiene además un aire un poco mágico, especialmente porque en el cielo, al que parecen dar la espalda, se está desarrollando un magnifico espectáculo cósmico con cometas y estrellas fugaces.


    Su padre y su infancia inspiran la obra de Esther Pearl, que se ha especializado en la representación de escenas de la vida cotidiana en lugares como tierras de cultivo, carreteras, tiendas de empeños, parques infantiles y estacionamientos, que complementa con una breve descripción diarística inscrita en la esquina de cada cuadro y con la compañía de platillos voladores que iluminan las escenas.

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