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    Open a larger version of the following image in a popup: David Salle, Tree of Life #15, 2021
    Open a larger version of the following image in a popup: David Salle, Tree of Life #15, 2021
    Open a larger version of the following image in a popup: David Salle, Tree of Life #15, 2021
    Open a larger version of the following image in a popup: David Salle, Tree of Life #15, 2021
    Open a larger version of the following image in a popup: David Salle, Tree of Life #15, 2021
    Open a larger version of the following image in a popup: David Salle, Tree of Life #15, 2021
    Open a larger version of the following image in a popup: David Salle, Tree of Life #15, 2021
    Open a larger version of the following image in a popup: David Salle, Tree of Life #15, 2021
    Open a larger version of the following image in a popup: David Salle, Tree of Life #15, 2021

    David Salle Norman, Oklahoma, b. 1952

    Tree of Life #15, 2021
    Oil on linen / Óleo sobre lino
    213.5 x 243.5 cm
    84 x 95 7/8 in
    © 2021 David Salle / Cortesía Fundación AMMA

    Further images

    • (View a larger image of thumbnail 1 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 2 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 3 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 4 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 5 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 6 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 7 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 8 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 9 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • Tree of Life #15
    View on a wall
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    En una estética que remite al cómic clásico estadounidense, David Salle representa una escena, pintada en blanco y negro, en la que dos mujeres contemplan con estupor la actividad, relacionada con unas semillas, que está llevando a cabo un hombre vestido solamente con traje de baño. Estas figuras están parcialmente ocultas por el único elemento en color: un árbol con hojas sobre el que se encuentra una oruga cubierta de pelos urticantes.


    El lenguaje pictórico de David Salle está inmerso en el postmodernismo y a menudo recurre a la apropiación. El artista trabaja con imágenes de muy diversa procedencia, que al ser superpuestas sugieren movimiento y vitalidad, además de nuevos sentidos. Su abigarrada imaginería suele ponerse al servicio de una narración atropellada que casi engulle al espectador.

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