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    Open a larger version of the following image in a popup: Juliao Sarmento, Dying animals, 2004
    Open a larger version of the following image in a popup: Juliao Sarmento, Dying animals, 2004
    Open a larger version of the following image in a popup: Juliao Sarmento, Dying animals, 2004
    Open a larger version of the following image in a popup: Juliao Sarmento, Dying animals, 2004
    Open a larger version of the following image in a popup: Juliao Sarmento, Dying animals, 2004
    Open a larger version of the following image in a popup: Juliao Sarmento, Dying animals, 2004

    Juliao Sarmento Portugal, b. 1948

    Dying animals, 2004
    Mixed media on canvas / Técnica mixta sobre tela
    100 x 100 cm
    39 3/8 x 39 3/8 in
    © 2004 Julião Sarmiento / Cortesía Fundación AMMA

    Further images

    • (View a larger image of thumbnail 1 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 2 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 3 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 4 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 5 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 6 ) Zhengjie Feng, China 2005 Num. 24, 2005
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    La obra de Julião Sarmento retrata la parte inferior del cuerpo de una mujer quien aparece sentada sobre una mesa utilizando una falda. Del lado inferior derecho se observa una...
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    La obra de Julião Sarmento retrata la parte inferior del cuerpo de una mujer quien aparece sentada sobre una mesa utilizando una falda. Del lado inferior derecho se observa una frase de Michael Foucault enmarcada dentro de un rectángulo, y en la parte superior derecha aparece la frase "ying animals".
    El trabajo de Sarmento combina cine, video, sonido, pintura, escultura e instalación y trata temas como la interacción psicológica, la sensualidad, el voyerismo y la transgresión. Sus imágenes son a menudo parcial o completamente borradas, para después dibujar sobre lo borrado, creando formas fragmentadas y en capas que evocan gestos y relaciones desconcertantes y misteriosas.
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Av. Las Flores 64 A,

Campestre, Álvaro Obregón,

01040, Ciudad de México. 

info@amma.art

 

 
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