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    Open a larger version of the following image in a popup: Ulf Puder, Hafenbecken, 2014
    Open a larger version of the following image in a popup: Ulf Puder, Hafenbecken, 2014
    Open a larger version of the following image in a popup: Ulf Puder, Hafenbecken, 2014
    Open a larger version of the following image in a popup: Ulf Puder, Hafenbecken, 2014
    Open a larger version of the following image in a popup: Ulf Puder, Hafenbecken, 2014
    Open a larger version of the following image in a popup: Ulf Puder, Hafenbecken, 2014

    Ulf Puder Leipzig, Alemania, b. 1958

    Hafenbecken, 2014
    Oil on canvas
    190 x 150 cm
    74 3/4 x 59 in
    © 2014 Ulf Puder / Courtesy Fundación AMMA
    Photo: Alejandro Paez

    Further images

    • (View a larger image of thumbnail 1 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 2 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 3 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 4 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 5 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 6 ) Zhengjie Feng, China 2005 Num. 24, 2005
    View on a wall
    Read more
    A nighttime exterior. A few small, Nordic-style houses with gabled roofs come into view. All of them have some element that is broken, warped, or hanging off its hinges, disrupting the serenity. Even the pavement has suffered damage.
    Starting from representation, Ulf Puder’s paintings tend toward abstraction.
    Chaos and calm are juxtaposed. The industrialization of human life—and the desolation it brings—is depicted through dilapidated architecture and landscapes with a dense atmosphere.
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