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    Open a larger version of the following image in a popup: Matthew Chambers, At least they have to admit you're there, 2015
    Open a larger version of the following image in a popup: Matthew Chambers, At least they have to admit you're there, 2015
    Open a larger version of the following image in a popup: Matthew Chambers, At least they have to admit you're there, 2015
    Open a larger version of the following image in a popup: Matthew Chambers, At least they have to admit you're there, 2015
    Open a larger version of the following image in a popup: Matthew Chambers, At least they have to admit you're there, 2015

    Matthew Chambers EUA, b. 1982

    At least they have to admit you're there, 2015
    Acrylic, enamel based adhesive, nylon flocking on canvas / Acrílico, adhesivo a base de esmalte, nylon sobre tela
    244 x 122 cm
    96 x 48 in
    © 2015 Matthew Chambers / Courtesy Fundación AMMA
    Photo: Alejandro Paez

    Further images

    • (View a larger image of thumbnail 1 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 2 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 3 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 4 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 5 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
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    El comediante Louis C.K. retratado micrófono en mano, durante un espectáculo de stand up comedy, iluminado en un sencillo escenario frente a un público del que alcanzamos a ver a tres personas. La técnica del flock o flocado refuerza el estilo naif de la obra.


    Matthew Chambers trabaja a menudo a partir de imágenes de la cultura pop, del cine y de la historia del arte, combinando no solamente distintas técnicas sino a veces también figuración y abstracción en una misma pieza y produciendo habitualmente imágenes de llamativo colorido.

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Av. Las Flores 64 A,

Campestre, Álvaro Obregón,

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Authorized donee since 2012.

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