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    Open a larger version of the following image in a popup: Matt Mullican, Untitled (2x2 Elements Sign), 2015
    Open a larger version of the following image in a popup: Matt Mullican, Untitled (2x2 Elements Sign), 2015
    Open a larger version of the following image in a popup: Matt Mullican, Untitled (2x2 Elements Sign), 2015
    Open a larger version of the following image in a popup: Matt Mullican, Untitled (2x2 Elements Sign), 2015
    Open a larger version of the following image in a popup: Matt Mullican, Untitled (2x2 Elements Sign), 2015
    Open a larger version of the following image in a popup: Matt Mullican, Untitled (2x2 Elements Sign), 2015
    Open a larger version of the following image in a popup: Matt Mullican, Untitled (2x2 Elements Sign), 2015

    Matt Mullican EUA, b. 1951

    Untitled (2x2 Elements Sign), 2015
    Oilstick, gouache on canvas rubbing
    200 x 200 cm
    78 3/4 x 78 3/4 in
    © 2015 Matt Mullican / Courtesy Fundación AMMA
    Photo: Sergio Ortiz

    Further images

    • (View a larger image of thumbnail 1 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 2 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 3 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 4 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 5 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 6 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 7 ) Ray Richardson, This sporting life, 1992
    View on a wall
    Read more
    Four white circles stand out against a green square, arranged symmetrically in the four quadrants. The piece’s pop and geometric style is contrasted by the irregularity of the finish; there are small spots and imperfections that hint at the manufacturing process.
    Mullican uses symbols, pictograms, and images from everyday life to create a personal language system that emerges as a model of cognitive perception, which the artist symbolizes through color. His artworks include finger paintings, colored flags, pictograms, reading performances, and hypnosis experiments on himself and others.
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