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    Open a larger version of the following image in a popup: Camille Hilaire, La gaine violette, ca. 1995
    Open a larger version of the following image in a popup: Camille Hilaire, La gaine violette, ca. 1995
    Open a larger version of the following image in a popup: Camille Hilaire, La gaine violette, ca. 1995
    Open a larger version of the following image in a popup: Camille Hilaire, La gaine violette, ca. 1995
    Open a larger version of the following image in a popup: Camille Hilaire, La gaine violette, ca. 1995

    Camille Hilaire Metz, Francia, 1916-2004

    La gaine violette, ca. 1995
    Oil on canvas / Óleo sobre tela
    92 x 73 cm
    36 1/4 x 28 3/4 in
    © 1995 Camille Hilaire / Cortesía Fundación AMMA
    Photo: Alejandro Paez

    Further images

    • (View a larger image of thumbnail 1 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 2 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 3 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 4 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 5 ) Ray Richardson, This sporting life, 1992
    Read more

    Camille Hilaire’s work depicts a woman seen from behind, wearing lingerie and looking at herself in a mirror. Hilaire’s paintings reveal a certain Cubist influence, but lack the rigidity of the movement’s early years. Hilaire’s compositions can be described as subtle, and her paintings convey a sense of calm through their patterns and elements. Her nudes were also notable and possess a provocative grace.

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