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    Open a larger version of the following image in a popup: Moz, Shark attack, 2005
    Open a larger version of the following image in a popup: Moz, Shark attack, 2005
    Open a larger version of the following image in a popup: Moz, Shark attack, 2005
    Open a larger version of the following image in a popup: Moz, Shark attack, 2005
    Open a larger version of the following image in a popup: Moz, Shark attack, 2005
    Open a larger version of the following image in a popup: Moz, Shark attack, 2005

    Moz Francia, b. 1970

    Shark attack, 2005
    Acrylic on canvas
    167 x 135 cm
    65 3/4 x 53 1/8 in
    © 2005 Moz / Courtesy Fundación AMMA
    Photo: Alejandro Paez

    Further images

    • (View a larger image of thumbnail 1 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 2 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 3 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 4 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 5 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 6 ) Xu Hualing, Aroma 2/6, 2004
    View on a wall
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    A topless woman, seen from behind, turns toward the viewer in a pin-up pose, smiling and innocently provocative. Superimposed on her is a red drawing of a shark in an attacking stance, accompanied by a brief text with instructions for a game. The two elements of the painting have a childlike quality that, when juxtaposed, takes on a darker tone.
    Moz draws inspiration from 1960s icons and the art of Andy Warhol to paint beautiful women over which he superimposes typography from instruction manuals and warning messages, in a way that reveals the perversity of the media, which appears harmless.
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