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The Day I Saw You: Portraits from the Amparo and Manuel Foundation Collection (2025): CEX Ibero, Mexico City

Past Exhibitions exhibition
26 March 2025 - 7 January 2026
Open a larger version of the following image in a popup: Leiko Ikemura, Standing in Dark Yellow (Stehende in Dunkelgelb), 1995-1996
Open a larger version of the following image in a popup: Leiko Ikemura, Standing in Dark Yellow (Stehende in Dunkelgelb), 1995-1996
Open a larger version of the following image in a popup: Leiko Ikemura, Standing in Dark Yellow (Stehende in Dunkelgelb), 1995-1996
Open a larger version of the following image in a popup: Leiko Ikemura, Standing in Dark Yellow (Stehende in Dunkelgelb), 1995-1996
Open a larger version of the following image in a popup: Leiko Ikemura, Standing in Dark Yellow (Stehende in Dunkelgelb), 1995-1996
Open a larger version of the following image in a popup: Leiko Ikemura, Standing in Dark Yellow (Stehende in Dunkelgelb), 1995-1996

Leiko Ikemura Japón, b. 1951

Standing in Dark Yellow (Stehende in Dunkelgelb), 1995-1996
Oil on canvas
63 x 43 cm
24 3/4 x 16 7/8 in
© 1995 Leiko Ikemura / Courtesy Fundación AMMA
Photo: Alejandro Paez

Further images

  • (View a larger image of thumbnail 1 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 2 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 3 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 4 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 5 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 6 ) Tomoaki Suzuki, Yukina, 2008
View on a wall
Read more
In this vertical painting, the figure of a girl dressed in a blue blouse and a white skirt can be made out, even though she is completely blurred, as if the paint had been smeared from top to bottom while it was still wet. The background exhibits a certain artistic complexity, as some whitish and pinkish tones emerge from the dominant yellow; this time, no human figure can be discerned behind it.
The female figure is the artist’s primary subject. In her work, she uses trees and faces as metaphors for human fragility. Her dreamlike landscapes, in which traces of Eastern-style drawing can be recognized, invite the viewer to immerse themselves in a sensual and emotional experience.
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Av. Las Flores 64 A,

Campestre, Álvaro Obregón,

01040, Mexico City. 

 

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