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The Life Force: Portraits from the Amparo and Manuel Collection (2026) Miami: Museum of Sex, Miami

Próximas exposiciones exhibition
15 November 2026 - 22 August 2027
  • About the exhibition
  • Curatorial Statement
  • Artworks
  • Amparo and Manuel Foundation presents The Life Force: Portraits from the Amparo and Manuel Foundation Collection, its first exhibition in...

    Amparo and Manuel Foundation presents The Life Force: Portraits from the Amparo and Manuel Foundation Collection, its first exhibition in the United States, organized in collaboration with the Museum of Sex. This group exhibition will move to its second venue in Miami.

     

    Museum of Sex Miami

    November 2026–August 2027

    2200 NW 24th Ave, Miami, FL 33142, United States

    Hours:

    Monday and Wednesday: 2:00 PM – 9:00 PM

    Tuesday: Closed
    Thursday: 2:00 PM – 10:00 PM
    Friday and Saturday: 1:00 PM – 12:00 AM
    Sunday: 1:00 PM – 9:00 PM

    Admission included with the general admission ticket to the museum.

  • About the exhibition

    Through more than 40 large-format figurative portraits from our collection, the exhibition explores how the body, portraiture, and eroticism intersect in contemporary art.
    The exhibition delves into the tension between desire and mortality, presenting intimacy and physical vulnerability as acts of resistance in the face of the uncertainty of our times.

  • Curatorial Statement

    The Life Force: Portraits from the Amparo & Manuel Foundation brings together large-scale figurative works that examine the body under psychological, temporal, and existential pressure. The exhibition engages with the tension Freud identified between Eros and Thanatos—the life instinct and the death drive—and considers intimacy as a response to the fragility of life. Aging, rupture, uncertainty, and collective instability shape the human condition. Within that context, the life force intensifies.

     

    The portraits present figures in states of self-reflection and exposure. Nudity functions as vulnerability made visible—an interior condition turned outward. The human experience appears without armor: tender, fractured, thinking, sensing. Cracks appear across bodies and environments, suggesting structural stress beneath composure. Intimacy becomes a site of recognition—being real, being seen, unveiled.

     

    These works emphasize vitality as a central force. Sensuality operates as soft power—subtle, embodied, persistent. Skin registers warmth and tension. Gesture conveys both weight and restraint. The erotic circulates as presence and connection, particularly in moments when the world feels unstable. In states of fracture, contact deepens; sex becomes a way of holding onto life.

    This exhibition is a collaboration between Amparo & Manuel Foundation and the Museum of Sex. The partnership brings together the foundation’s commitment to contemporary portraiture and MOSEX’s long-standing exploration of the body, desire, and cultural discourse.

     

  • The curator
    The curator

    Tam Gryn is a Venezuelan curator and researcher who serves as Director of Operations and Curator at the Museum of Sex. With a degree in Art History and Literature from the Sorbonne University, her practice focuses on the intersection of contemporary art, creative economies, and emerging technologies such as Web3 and artificial intelligence.


    At the institutional level, she conducts curatorial projects aimed at analyzing eroticism, vulnerability, and social dynamics within local communities. Recently, Gryn was selected as a guest curator by the Amparo and Manuel Foundation to coordinate the exhibition The Life Force: Portraits from the Amparo and Manuel Foundation at the Museum of Sex’s two locations in New York and Miami.

  • Artworks
    • Amoako Boafo Black Pedestal Fan, 2025 Oil and paper transfer on canvas 209 x 172 x 2 cm 82 1/4 x 67 3/4 x 3/4 in
      Amoako Boafo
      Black Pedestal Fan, 2025
      Oil and paper transfer on canvas
      209 x 172 x 2 cm
      82 1/4 x 67 3/4 x 3/4 in
    • Grace Metzler Sisters from different misters, 2022 Oil on canvas 152 x 152 cm 59 7/8 x 59 7/8 in
      Grace Metzler
      Sisters from different misters, 2022
      Oil on canvas
      152 x 152 cm
      59 7/8 x 59 7/8 in
    • Sarah Lucas TITIVILITIUM, 2021 Tights, wire, wool, spring clamp, shoes, acrylic paint, metal chair 94 x 61 x 76 cm 37 x 24 x 29 7/8 in
      Sarah Lucas
      TITIVILITIUM, 2021
      Tights, wire, wool, spring clamp, shoes, acrylic paint, metal chair
      94 x 61 x 76 cm
      37 x 24 x 29 7/8 in
    • Oh De Laval Goodbye Innocence, 2021 Acrylic on canvas 70 x 50 cm 27 1/2 x 19 3/4 in
      Oh De Laval
      Goodbye Innocence, 2021
      Acrylic on canvas
      70 x 50 cm
      27 1/2 x 19 3/4 in
    • Kent Iwemyr Sommaren med Albert, 2020 Acrylic on linen 116 x 130 cm 45 5/8 x 51 1/8 in
      Kent Iwemyr
      Sommaren med Albert, 2020
      Acrylic on linen
      116 x 130 cm
      45 5/8 x 51 1/8 in
    • Hernan Bas Three Vampires, 2020 Acrylic on linen 182.9 x 152.4 cm 72 1/8 x 60 in
      Hernan Bas
      Three Vampires, 2020
      Acrylic on linen
      182.9 x 152.4 cm
      72 1/8 x 60 in
    • Shadi Al Atallah Jack and Rose I, 2018 Mixed media on unstretched canvas 155 x 270 cm 61 1/8 x 106 1/4 in
      Shadi Al Atallah
      Jack and Rose I, 2018
      Mixed media on unstretched canvas
      155 x 270 cm
      61 1/8 x 106 1/4 in
    • Bert Stern Marilyn Monroe behind a crucifix, from The Last Sitting for Vogue, 1962 Print set within contact sheet border 98.4 x 99.7 cm 38 3/4 x 39 1/4 in (without frame)
      Bert Stern
      Marilyn Monroe behind a crucifix, from The Last Sitting for Vogue, 1962
      Print set within contact sheet border
      98.4 x 99.7 cm
      38 3/4 x 39 1/4 in (without frame)
    • Bert Stern Marilyn Monroe nude on a bed, from The Last Sitting for Vogue, 1962 Archival pigment photograph 101.6 x 123.2 cm 40 x 48 1/2 in
      Bert Stern
      Marilyn Monroe nude on a bed, from The Last Sitting for Vogue, 1962
      Archival pigment photograph
      101.6 x 123.2 cm
      40 x 48 1/2 in
    • Magnus Plessen Untitled (38), 2017 Oil, charcoal on canvas 146 x 97 x 3.5 cm 57 1/2 x 38 1/4 x 1 3/8 in
      Magnus Plessen
      Untitled (38), 2017
      Oil, charcoal on canvas
      146 x 97 x 3.5 cm
      57 1/2 x 38 1/4 x 1 3/8 in
    • Ma Yanhong She no. 1, 2003 Oil on canvas / Óleo sobre tela 180 x 60 cm 70 7/8 x 23 5/8 in
      Ma Yanhong
      She no. 1, 2003
      Oil on canvas / Óleo sobre tela
      180 x 60 cm
      70 7/8 x 23 5/8 in
    • Moz Shark attack, 2005 Acrylic on canvas / Acrílico sobre tela 167 x 135 cm 65 3/4 x 53 1/8 in
      Moz
      Shark attack, 2005
      Acrylic on canvas / Acrílico sobre tela
      167 x 135 cm
      65 3/4 x 53 1/8 in
    • Victor Rodriguez Hotel 17,000, 2004 Acrylic on canvas / Acrílico sobre tela 198 x 198 x 4 cm 78 x 78 x 1 5/8 in
      Victor Rodriguez
      Hotel 17,000, 2004
      Acrylic on canvas / Acrílico sobre tela
      198 x 198 x 4 cm
      78 x 78 x 1 5/8 in
    • Agnes Thurnauer Love intercourse, 2006 Acrylic on canvas 115.5 x 89 x 2.5 cm 45 1/2 x 35 x 1 in
      Agnes Thurnauer
      Love intercourse, 2006
      Acrylic on canvas
      115.5 x 89 x 2.5 cm
      45 1/2 x 35 x 1 in
    • Dale Lewis Vice versus, 2018 Oil, acrylic and canvas 200 x 170 x 3.5 cm 78 3/4 x 66 7/8 x 1 3/8 in
      Dale Lewis
      Vice versus, 2018
      Oil, acrylic and canvas
      200 x 170 x 3.5 cm
      78 3/4 x 66 7/8 x 1 3/8 in
    • Tracey Emin Lonely Chair drawing II, 2012 Gouache on paper 111 x 151 cm 43 3/4 x 59 1/2 in
      Tracey Emin
      Lonely Chair drawing II, 2012
      Gouache on paper
      111 x 151 cm
      43 3/4 x 59 1/2 in
    • Franz Graf Autisme, 2013 Ink, permanent marker and graphite on canvas 160 x 240 x 4 cm 63 x 94 1/2 x 1 5/8 in
      Franz Graf
      Autisme, 2013
      Ink, permanent marker and graphite on canvas
      160 x 240 x 4 cm
      63 x 94 1/2 x 1 5/8 in
    • Patty Horing Master bath, 2015 Oil on canvas 150 x 196 x 4.5 cm 59 x 77 1/8 x 1 3/4 in
      Patty Horing
      Master bath, 2015
      Oil on canvas
      150 x 196 x 4.5 cm
      59 x 77 1/8 x 1 3/4 in
    • Hans Scheib Morgen (Tomorrow), 2009 Acrylic and wood / Acrílico y madera 86.4 x 45.7 x 15.2 cm 34 x 18 x 6 in
      Hans Scheib
      Morgen (Tomorrow), 2009
      Acrylic and wood / Acrílico y madera
      86.4 x 45.7 x 15.2 cm
      34 x 18 x 6 in
    • David Shrigley Untitled (Don't), 2013 Ink on paper / Tinta sobre papel 48 x 36 cm 18 7/8 x 14 1/8 in
      David Shrigley
      Untitled (Don't), 2013
      Ink on paper / Tinta sobre papel
      48 x 36 cm
      18 7/8 x 14 1/8 in
    • Richard Dupont Untitled, 2007 Pigmented polyurethane resin, assembled and sanded 61 x 60 cm 24 x 23 5/8 in
      Richard Dupont
      Untitled, 2007
      Pigmented polyurethane resin, assembled and sanded
      61 x 60 cm
      24 x 23 5/8 in
    • Richard Dupont Drawing for terminal stage, 2007 Ink on paper 95.5 x 61.5 x 4.5 cm 37 5/8 x 24 1/4 x 1 3/4 in
      Richard Dupont
      Drawing for terminal stage, 2007
      Ink on paper
      95.5 x 61.5 x 4.5 cm
      37 5/8 x 24 1/4 x 1 3/4 in
    • Brad Kahlhamer Audrey England, 2008 Watercolour on paper 75 x 56 cm 29 1/2 x 22 in
      Brad Kahlhamer
      Audrey England, 2008
      Watercolour on paper
      75 x 56 cm
      29 1/2 x 22 in
    • Brad Kahlhamer Rebiah, 2008 Watercolour on paper 75 x 56 cm 29 1/2 x 22 in
      Brad Kahlhamer
      Rebiah, 2008
      Watercolour on paper
      75 x 56 cm
      29 1/2 x 22 in
    • Brad Kahlhamer Rapid city tanning and spa, 2008 Watercolour on paper 75 x 56 cm 29 1/2 x 22 in
      Brad Kahlhamer
      Rapid city tanning and spa, 2008
      Watercolour on paper
      75 x 56 cm
      29 1/2 x 22 in
    • Katherine Bernhardt Calvin Klein swimwear, 2006 Acrylic on canvas 244 x 183 x 4 cm 96 x 72 x 1 5/8 in
      Katherine Bernhardt
      Calvin Klein swimwear, 2006
      Acrylic on canvas
      244 x 183 x 4 cm
      96 x 72 x 1 5/8 in
    • Katherine Bernhardt Drew Barrimore for missoni, 2006 Acrylic on canvas / Acrílico sobre tela 51 x 40.5 x 2 cm 20 1/8 x 16 x 3/4 in
      Katherine Bernhardt
      Drew Barrimore for missoni, 2006
      Acrylic on canvas / Acrílico sobre tela
      51 x 40.5 x 2 cm
      20 1/8 x 16 x 3/4 in
    • Martin Williams Nude, 1994 Oil on canvas / Óleo sobre tela 86 x 70.5 cm 33 7/8 x 27 3/4 in
      Martin Williams
      Nude, 1994
      Oil on canvas / Óleo sobre tela
      86 x 70.5 cm
      33 7/8 x 27 3/4 in
    • Nadine Faraj The heart is right, 2015 Watercolour on paper 76 x 60 cm 29 7/8 x 23 5/8 in
      Nadine Faraj
      The heart is right, 2015
      Watercolour on paper
      76 x 60 cm
      29 7/8 x 23 5/8 in
    • Nadine Faraj Too wonderful II, 2015 Watercolour on paper 76 x 56 cm 29 7/8 x 22 in
      Nadine Faraj
      Too wonderful II, 2015
      Watercolour on paper
      76 x 56 cm
      29 7/8 x 22 in
    • Steve Canaday Honey mead burger bitch, 2006 Oil on canvas 172.5 x 183 x 3 cm 67 7/8 x 72 x 1 1/8 in
      Steve Canaday
      Honey mead burger bitch, 2006
      Oil on canvas
      172.5 x 183 x 3 cm
      67 7/8 x 72 x 1 1/8 in
    • Manel Anoro Senora con abrigo, ca. 1998 Oil on canvas / Óleo sobre tela 112 x 93 cm 44 1/8 x 36 5/8 in
      Manel Anoro
      Senora con abrigo, ca. 1998
      Oil on canvas / Óleo sobre tela
      112 x 93 cm
      44 1/8 x 36 5/8 in
    • Lawrence Valenza A short history, N.D. Oil on canvas / Óleo sobre tela 61 x 91.5 cm 24 x 36 in
      Lawrence Valenza
      A short history, N.D.
      Oil on canvas / Óleo sobre tela
      61 x 91.5 cm
      24 x 36 in
    • David Bromley Alexia, 2002 Acrylic and metal leaf on canvas / Acrílico y hoja de metal sobre tela 155.7 x 125.2 cm 61 1/4 x 49 1/4 in
      David Bromley
      Alexia, 2002
      Acrylic and metal leaf on canvas / Acrílico y hoja de metal sobre tela
      155.7 x 125.2 cm
      61 1/4 x 49 1/4 in
    • Lawrence Valenza Suspension, 1998 Oil on canvas / Óleo sobre tela 140 x 135 cm 55 1/8 x 53 1/8 in
      Lawrence Valenza
      Suspension, 1998
      Oil on canvas / Óleo sobre tela
      140 x 135 cm
      55 1/8 x 53 1/8 in
    • Quirarte + Ornelas Medias (Acción 4), 2008 Watercolour on paper / Acuarela sobre papel 29 x 38.5 cm 11 3/8 x 15 1/8 in
      Quirarte + Ornelas
      Medias (Acción 4), 2008
      Watercolour on paper / Acuarela sobre papel
      29 x 38.5 cm
      11 3/8 x 15 1/8 in
    • Claude Gaveau Insouciance, 2004 Oil on canvas 124 x 124 cm 48 7/8 x 48 7/8 in
      Claude Gaveau
      Insouciance, 2004
      Oil on canvas
      124 x 124 cm
      48 7/8 x 48 7/8 in
    • Manel Anoro Dos hermanas, 1995 Serigraphy on paper / Serigrafía sobre papel 156 x 105 cm 61 3/8 x 41 3/8 in
      Manel Anoro
      Dos hermanas, 1995
      Serigraphy on paper / Serigrafía sobre papel
      156 x 105 cm
      61 3/8 x 41 3/8 in
    • Gabriel De La Mora Los bañistas, 1758 pixeles, 2002 Acrylic on canvas / Acrílico sobre tela 152.5 x 211.5 cm 60 x 83 1/4 in
      Gabriel De La Mora
      Los bañistas, 1758 pixeles, 2002
      Acrylic on canvas / Acrílico sobre tela
      152.5 x 211.5 cm
      60 x 83 1/4 in
    • Martin Di Girolamo Modelo, 2004 Oil and enamel on epoxy dough / Óleo y esmalte sobre plastilina epóxica 41 x 46 x 51.5 cm 16 1/8 x 18 1/8 x 20 1/4 in
      Martin Di Girolamo
      Modelo, 2004
      Oil and enamel on epoxy dough / Óleo y esmalte sobre plastilina epóxica
      41 x 46 x 51.5 cm
      16 1/8 x 18 1/8 x 20 1/4 in
    • Manel Anoro Chicago, N.D. Oil on canvas / Óleo sobre tela 180 x 94 cm 70 7/8 x 37 in
      Manel Anoro
      Chicago, N.D.
      Oil on canvas / Óleo sobre tela
      180 x 94 cm
      70 7/8 x 37 in
    • Xu Hualing Aroma 2/6, 2004 Gouache, watercolor on silk / Gouache, acuarela sobre seda 68.5 x 109 cm 27 x 42 7/8 in
      Xu Hualing
      Aroma 2/6, 2004
      Gouache, watercolor on silk / Gouache, acuarela sobre seda
      68.5 x 109 cm
      27 x 42 7/8 in
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01040, Mexico City. 

 

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info@amma.art

 

 
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