The work Morning Classes in New Haven: In the Department of Color Theory (2024), by American painter Lisa Yuskavage, explores the concept of the studio as a psychological landscape that challenges the traditional dynamics of the art academy.
Through the use of enveloping artificial light and a technical approach reminiscent of sfumato, the artist draws on color theory to structure a reexamination of contemporary figurative art.
This work is part of the Fundación Amparo y Manuel’s collection as one of its most recent acquisitions.
