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Open a larger version of the following image in a popup: Didier Viodé, Gbeto Self-Portrait, 2020
Open a larger version of the following image in a popup: Didier Viodé, Gbeto Self-Portrait, 2020
Open a larger version of the following image in a popup: Didier Viodé, Gbeto Self-Portrait, 2020
Open a larger version of the following image in a popup: Didier Viodé, Gbeto Self-Portrait, 2020
Open a larger version of the following image in a popup: Didier Viodé, Gbeto Self-Portrait, 2020
Open a larger version of the following image in a popup: Didier Viodé, Gbeto Self-Portrait, 2020
Open a larger version of the following image in a popup: Didier Viodé, Gbeto Self-Portrait, 2020
Open a larger version of the following image in a popup: Didier Viodé, Gbeto Self-Portrait, 2020
Open a larger version of the following image in a popup: Didier Viodé, Gbeto Self-Portrait, 2020

Didier Viodé Benín, b. 1979

Gbeto Self-Portrait, 2020
Acrylic on canvas
183 x 127 x 2 cm
72 x 50 x 3/4 in
© 2020 Didier Viodé / Courtesy Fundación AMMA

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  • Gbeto Self-Portrait
View on a wall
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In the Fongbe language, Gbèto means “the being who sustains life” or “the master of the world.” Under this title, which simply acknowledges personal dignity, Didier Viodé presents a self-portrait, frontal and three-quarter view, in a large-scale work where only his clothing suggests a casual nature.
In his work, Viodé reflects on the banality of contemporary urban life, reducing the painting to its essence: gestures, textured silhouettes and shadows, postures, and empty, unoccupied spaces reflect an increasingly stagnant world.
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