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    Open a larger version of the following image in a popup: Akos Ezer, Pillowfight, 2022
    Open a larger version of the following image in a popup: Akos Ezer, Pillowfight, 2022
    Open a larger version of the following image in a popup: Akos Ezer, Pillowfight, 2022
    Open a larger version of the following image in a popup: Akos Ezer, Pillowfight, 2022
    Open a larger version of the following image in a popup: Akos Ezer, Pillowfight, 2022
    Open a larger version of the following image in a popup: Akos Ezer, Pillowfight, 2022
    Open a larger version of the following image in a popup: Akos Ezer, Pillowfight, 2022
    Open a larger version of the following image in a popup: Akos Ezer, Pillowfight, 2022
    Open a larger version of the following image in a popup: Akos Ezer, Pillowfight, 2022
    Open a larger version of the following image in a popup: Akos Ezer, Pillowfight, 2022
    Open a larger version of the following image in a popup: Akos Ezer, Pillowfight, 2022
    Open a larger version of the following image in a popup: Akos Ezer, Pillowfight, 2022
    Open a larger version of the following image in a popup: Akos Ezer, Pillowfight, 2022
    Open a larger version of the following image in a popup: Akos Ezer, Pillowfight, 2022
    Open a larger version of the following image in a popup: Akos Ezer, Pillowfight, 2022

    Akos Ezer Pécs, Hungría, b. 1989

    Pillowfight, 2022
    Oil on canvas
    235 x 400 cm
    92 1/2 x 157 1/2 in
    © 2022 Akos Ezer / Courtesy Fundación AMMA

    Further images

    • (View a larger image of thumbnail 1 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 2 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 3 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 4 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 5 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 6 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 7 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 8 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 9 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 10 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 11 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 12 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 13 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 14 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 15 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • Pillowfight
    View on a wall
    Read more

    A large-scale diptych portraying the intensity of a fight. Although it depicts a pillow fight and is painted in bright tones, this does not diminish the violence of the scene; on the contrary, it lends it a more jarring quality. From the pink cloud representing the battle emerge objects such as guns or items of clothing, as well as body fragments or faces expressing distress.

    Marked by contemporary or pop references, Akos Ezer’s figures display limbs so elongated and intertwined that they ultimately occupy the entire surface of his paintings. Ezer’s work offers an approach to the lives of his contemporaries through characters that seem to have absorbed the distinctive markers of their time, set within an uncanny situation that results in a humorous effect.

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