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    Open a larger version of the following image in a popup: George Rodrigue, Happy Days Are Here Again, 2002
    Open a larger version of the following image in a popup: George Rodrigue, Happy Days Are Here Again, 2002
    Open a larger version of the following image in a popup: George Rodrigue, Happy Days Are Here Again, 2002
    Open a larger version of the following image in a popup: George Rodrigue, Happy Days Are Here Again, 2002
    Open a larger version of the following image in a popup: George Rodrigue, Happy Days Are Here Again, 2002
    Open a larger version of the following image in a popup: George Rodrigue, Happy Days Are Here Again, 2002
    Open a larger version of the following image in a popup: George Rodrigue, Happy Days Are Here Again, 2002
    Open a larger version of the following image in a popup: George Rodrigue, Happy Days Are Here Again, 2002
    Open a larger version of the following image in a popup: George Rodrigue, Happy Days Are Here Again, 2002

    George Rodrigue Nueva Iberia, Luisiana, EEUU, 1944-2013

    Happy Days Are Here Again, 2002
    Acrylic on canvas
    123 x 134 cm
    48 3/8 x 52 3/4 in
    © 2002 George Rodrigue / Courtesy Fundación AMMA
    Photo: Alejandro Paez

    Further images

    • (View a larger image of thumbnail 1 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 2 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 3 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 4 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 5 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 6 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 7 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 8 ) Zhengjie Feng, China 2005 Num. 24, 2005
    • (View a larger image of thumbnail 9 ) Zhengjie Feng, China 2005 Num. 24, 2005
    View on a wall
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    The head of a blue dog with yellow eyes and an anxious expression emerges against an orange background of simple flowers. A line the same color as the flowers traces the dog’s silhouette.
    Although he painted landscapes, scenes, and characters inspired by folklore, the motif that made George Rodrigue famous was the Blue Dog, which—inspired in part by his dog Tiffany and in part by Cajun myths—he began painting in the mid-1980s. In countless paintings in which the background and setting vary, Rodrigue depicted the figure of the dog—blue with yellow eyes and an alarmed expression. The figure has been used by various brands and corporations to advertise their products.
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