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    Open a larger version of the following image in a popup: Ryan Mosley, Weekend retreat, 2017
    Open a larger version of the following image in a popup: Ryan Mosley, Weekend retreat, 2017
    Open a larger version of the following image in a popup: Ryan Mosley, Weekend retreat, 2017
    Open a larger version of the following image in a popup: Ryan Mosley, Weekend retreat, 2017
    Open a larger version of the following image in a popup: Ryan Mosley, Weekend retreat, 2017
    Open a larger version of the following image in a popup: Ryan Mosley, Weekend retreat, 2017
    Open a larger version of the following image in a popup: Ryan Mosley, Weekend retreat, 2017
    Open a larger version of the following image in a popup: Ryan Mosley, Weekend retreat, 2017
    Open a larger version of the following image in a popup: Ryan Mosley, Weekend retreat, 2017

    Ryan Mosley Inglaterra, b. 1980

    Weekend retreat, 2017
    Oil on canvas / Óleo sobre tela
    150 x 183 cm
    59 x 72 in
    © 2017 Ryan Mosley / Courtesy Fundación AMMA
    Photo: Sergio Ortiz

    Further images

    • (View a larger image of thumbnail 1 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 2 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 3 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 4 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 5 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 6 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 7 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 8 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 9 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • Weekend retreat
    View on a wall
    Read more

    Una mujer de pie se apoya o sostiene una bicicleta de carreras. Los radios de la bicicleta están representados por porciones de colores, a la manera de discos cromáticos. Los colores vivos reinan en el cuadro, en contraste con lo cansado de la expresión de la cara de la mujer.


    Mosley trata a menudo temas circenses o carnavalescos, a través de retratos de distintos artistas. Su obra recoge temas, estilos y movimientos de la historia del arte en pinturas surrealistas de inspiración popular y contemporánea. Como resultado, el artista plasma escenas fantásticas, caprichosas e intrigantes, expuestas en coloridos patrones.

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Av. Las Flores 64 A,

Campestre, Álvaro Obregón,

01040, Mexico City. 

 

Authorized donee since 2012.

info@amma.art

 

 
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