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    Open a larger version of the following image in a popup: Esther Pearl, Not much Left , 2019
    Open a larger version of the following image in a popup: Esther Pearl, Not much Left , 2019
    Open a larger version of the following image in a popup: Esther Pearl, Not much Left , 2019
    Open a larger version of the following image in a popup: Esther Pearl, Not much Left , 2019
    Open a larger version of the following image in a popup: Esther Pearl, Not much Left , 2019
    Open a larger version of the following image in a popup: Esther Pearl, Not much Left , 2019

    Esther Pearl Frankfurt, Alemania, b. 1973

    Not much Left , 2019
    Acrylic and glitter on panel
    101.6 x 152.4 cm
    40 x 60 in
    © 2019 Esther Pearl / Courtesy Fundación AMMA
    Photo: Sergio Ortiz

    Further images

    • (View a larger image of thumbnail 1 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 2 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 3 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 4 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 5 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 6 ) Ray Richardson, This sporting life, 1992
    View on a wall
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    A nighttime scene in a parking lot—somewhere between a votive offering and a teen movie. There are cars, a waitress standing in the doorway of the establishment, customers, and signs advertising chain stores... It is all richly colored and possesses a slightly magical air, especially given the magnificent cosmic spectacle of comets and shooting stars unfolding in the sky—a sky to which the figures seem to be turning their backs.
    Esther Pearl’s work draws inspiration from her father and her childhood. She specializes in depicting scenes of everyday life in settings such as farmland, highways, pawnshops, playgrounds, and parking lots, complementing these images with brief, diary-like inscriptions in the corner of each painting and the presence of flying saucers that illuminate the scenes.
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Av. Las Flores 64 A,

Campestre, Álvaro Obregón,

01040, Mexico City. 

 

Authorized donee since 2012.

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