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    Open a larger version of the following image in a popup: Tim Eitel, Equipe de Tournage, 2021
    Open a larger version of the following image in a popup: Tim Eitel, Equipe de Tournage, 2021
    Open a larger version of the following image in a popup: Tim Eitel, Equipe de Tournage, 2021
    Open a larger version of the following image in a popup: Tim Eitel, Equipe de Tournage, 2021
    Open a larger version of the following image in a popup: Tim Eitel, Equipe de Tournage, 2021
    Open a larger version of the following image in a popup: Tim Eitel, Equipe de Tournage, 2021
    Open a larger version of the following image in a popup: Tim Eitel, Equipe de Tournage, 2021
    Open a larger version of the following image in a popup: Tim Eitel, Equipe de Tournage, 2021

    Tim Eitel Leonberg, Alemania, b. 1971

    Equipe de Tournage, 2021
    Oil on canvas
    190 x 150 x 4 cm
    74 3/4 x 59 x 1 5/8 in
    © 2021 Tim Eitel / Courtesy Fundación AMMA

    Further images

    • (View a larger image of thumbnail 1 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 2 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 3 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 4 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 5 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 6 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 7 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 8 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • Equipe de Tournage
    View on a wall
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    A man is being interviewed by a television crew. The figures are clustered in the lower half of the frame, leaving a vast expanse of empty space above—where, in turn, their reflection appears.

    The artist uses his painting to draw analogies with reality, constructing fictional parallel worlds based on situations he has witnessed and experienced. His paintings are grounded in actual encounters, objects, or spaces. They do not tell stories; instead, they present a moment devoid of a "before" or "after," defined by the arrangement of figures within the space, the way light falls across architectural settings, and the interplay of colors.

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