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    Open a larger version of the following image in a popup: Alexander Kaletski, Hold on, America, 2002
    Open a larger version of the following image in a popup: Alexander Kaletski, Hold on, America, 2002
    Open a larger version of the following image in a popup: Alexander Kaletski, Hold on, America, 2002
    Open a larger version of the following image in a popup: Alexander Kaletski, Hold on, America, 2002
    Open a larger version of the following image in a popup: Alexander Kaletski, Hold on, America, 2002
    Open a larger version of the following image in a popup: Alexander Kaletski, Hold on, America, 2002
    Open a larger version of the following image in a popup: Alexander Kaletski, Hold on, America, 2002
    Open a larger version of the following image in a popup: Alexander Kaletski, Hold on, America, 2002
    Open a larger version of the following image in a popup: Alexander Kaletski, Hold on, America, 2002

    Alexander Kaletski Moscú, Rusia, b. 1946

    Hold on, America, 2002
    Mixed media on burlap
    233 x 198 cm
    91 3/4 x 78 in
    © 2002 Alexander Kaletski / Courtesy Fundación AMMA
    Photo: Alejandro Paez

    Further images

    • (View a larger image of thumbnail 1 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 2 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 3 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 4 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 5 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 6 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 7 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 8 ) Ray Richardson, This sporting life, 1992
    • (View a larger image of thumbnail 9 ) Ray Richardson, This sporting life, 1992
    Read more
    A man is holding or unfurling a U.S. flag, which is the only splash of color in a portrait rendered in ochre tones—both in the background and in the subject’s clothing. At the bottom, collages made from newspaper clippings are visible.
    Although he also works in sculpture and video art, Alexander Kaletski is best known for his use of cardboard boxes, which he paints and uses to create collages. Finding discarded boxes is part of the artist’s creative process, thereby introducing the ready-made into a body of work that naturally incorporates traces of other historical movements.
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