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    Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012
    Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012
    Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012
    Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012
    Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012
    Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012
    Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012
    Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012

    Tracey Emin Londres, b. 1963

    Lonely Chair drawing II, 2012
    Gouache on paper
    111 x 151 cm
    43 3/4 x 59 1/2 in
    © 2012 Tracey Emin / Courtesy Fundación AMMA
    Photo: Alejandro Paez

    Further images

    • (View a larger image of thumbnail 1 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 2 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 3 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 4 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 5 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 6 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 7 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 8 ) Xu Hualing, Aroma 2/6, 2004
    View on a wall
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    A naked woman, slumped rather than sitting in a chair. Her features are blurred. The simplicity of the technique—a black drawing with fluid lines—is enough to convey a sense of exhaustion.

    Emin finds in art a form of therapy to overcome the traumas of her youth, recreating her own memory filled with pain. In her work, she captures raw candor and suffering through themes such as sex, excess, drugs, and hangovers, which she explores in various media, including sculpture, drawing, installation, and video.

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