Fundación Amparo y Manuel company logo
Fundación Amparo y Manuel
Skip to main content
  • Menu
  • The Collection
  • Exhibitions
  • Contact
  • About Us
  • ES
  • EN
Menu
  • ES
  • EN
  • Artworks

    Open a larger version of the following image in a popup: Dale Lewis, Vice versus, 2018
    Open a larger version of the following image in a popup: Dale Lewis, Vice versus, 2018
    Open a larger version of the following image in a popup: Dale Lewis, Vice versus, 2018
    Open a larger version of the following image in a popup: Dale Lewis, Vice versus, 2018
    Open a larger version of the following image in a popup: Dale Lewis, Vice versus, 2018
    Open a larger version of the following image in a popup: Dale Lewis, Vice versus, 2018
    Open a larger version of the following image in a popup: Dale Lewis, Vice versus, 2018
    Open a larger version of the following image in a popup: Dale Lewis, Vice versus, 2018

    Dale Lewis Essex, Reino Unido, b. 1980

    Vice versus, 2018
    Oil, acrylic and canvas
    200 x 170 x 3.5 cm
    78 3/4 x 66 7/8 x 1 3/8 in
    © 2018 Dale Lewis / Courtesy Fundación AMMA
    Photo: Alejandro Paez

    Further images

    • (View a larger image of thumbnail 1 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 2 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 3 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 4 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 5 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 6 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 7 ) Xu Hualing, Aroma 2/6, 2004
    • (View a larger image of thumbnail 8 ) Xu Hualing, Aroma 2/6, 2004
    View on a wall
    Read more
    A naked woman, wearing only high boots, lies in apparent agony in the arms of a man dressed as a motorcyclist, all in black. Both are smoking. She has bloodstains on her skin. They are accompanied by a cat and a raven. The setting is ambiguous, as the cobblestones visible on the ground seem to transform into trees—dry and gray—in the background.
    Through a sarcastic and absurd narrative that borders on the grotesque, Lewis addresses the everyday human dramas that unfold in today’s urban environments. His painting is influenced by the compositional drama of medieval and Renaissance painting, where the picture plane is dominated by the intertwining of bodies and marked by emblematic symbols of sin, virtue, and status.
    Previous
    |
    Next
    15 
    of  42

Suscribe to our Newsletter!

Send

* Required fields

I have read and accept the privacy policy of Fundación Amparo y Manuel.

Av. Las Flores 64 A,

Campestre, Álvaro Obregón,

01040, Mexico City. 

 

Authorized donee since 2012.

info@amma.art

 

 
  • About Us
  • The Collection
  • Exhibitions
  • Contact us
Instagram, opens in a new tab.
Facebook, opens in a new tab.
Youtube, opens in a new tab.
Send an email
Join the mailing list
Privacy Policy
Manage cookies
Copyright © 2026 AMMA
Site by Artlogic

This site uses cookies, if you continue on the site you accept their use. For more information, see our cookies policy.

Manage cookies
Reject non essential
Accept

Cookie preferences

Marca las casillas correspondientes a las categorías de cookies que permites que nuestro sitio utilice.

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences