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The Day I Saw You: Portraits from the Amparo and Manuel Foundation Collection (2025): CEX Ibero, Mexico City

Past Exhibitions exhibition
26 March 2025 - 7 January 2026
Open a larger version of the following image in a popup: Sebastian Blanck, Sebastian, David and Shana, 2008
Open a larger version of the following image in a popup: Sebastian Blanck, Sebastian, David and Shana, 2008
Open a larger version of the following image in a popup: Sebastian Blanck, Sebastian, David and Shana, 2008
Open a larger version of the following image in a popup: Sebastian Blanck, Sebastian, David and Shana, 2008
Open a larger version of the following image in a popup: Sebastian Blanck, Sebastian, David and Shana, 2008
Open a larger version of the following image in a popup: Sebastian Blanck, Sebastian, David and Shana, 2008
Open a larger version of the following image in a popup: Sebastian Blanck, Sebastian, David and Shana, 2008

Sebastian Blanck New Haven, Connecticut, EUA, b. 1976

Sebastian, David and Shana, 2008
Acrylic on linen collage
89.5 x 114.6 cm
35 1/4 x 45 1/8 in
© 2008 Sebastian Blanck / Courtesy Fundación AMMA
Photo: Alejandro Paez

Further images

  • (View a larger image of thumbnail 1 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 2 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 3 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 4 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 5 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 6 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 7 ) Tomoaki Suzuki, Yukina, 2008
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Three young people, presumably friends, are shown on the beach on a bright day. The sharp shadows and the movement of one of the women’s hair suggest clear, windy weather. They are focused on something off-camera, and from the clothes they are wearing, we can tell that their visit to the beach was spontaneous.
Blanck finds inspiration for his deeply intimate portraits in his everyday life. The color and line work vibrantly capture diverse personalities and moods, expressing a deep familiarity with the subjects of his paintings. He uses the collage technique, applying layers of painted paper over watercolor, which in turn is painted directly onto stretched paper. His emphasis on patterns, the lack of specificity, and the detached formal compositions suggest a dialogue with the formalist interests associated with Pop Art.
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Av. Las Flores 64 A,

Campestre, Álvaro Obregón,

01040, Mexico City. 

 

Authorized donee since 2012.

info@amma.art

 

 
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