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The Day I Saw You: Retratos de la Colección Fundación Amparo y Manuel (2025): CEX Ibero - Marzo 2025 a Enero 2026. Ciudad de México, México.

Próximas exposiciones exhibition
Open a larger version of the following image in a popup: Raffi Kalenderian, Jacque, 2018
Open a larger version of the following image in a popup: Raffi Kalenderian, Jacque, 2018
Open a larger version of the following image in a popup: Raffi Kalenderian, Jacque, 2018
Open a larger version of the following image in a popup: Raffi Kalenderian, Jacque, 2018
Open a larger version of the following image in a popup: Raffi Kalenderian, Jacque, 2018
Open a larger version of the following image in a popup: Raffi Kalenderian, Jacque, 2018
Open a larger version of the following image in a popup: Raffi Kalenderian, Jacque, 2018
Open a larger version of the following image in a popup: Raffi Kalenderian, Jacque, 2018
Open a larger version of the following image in a popup: Raffi Kalenderian, Jacque, 2018

Raffi Kalenderian EUA, b. 1981

Jacque, 2018
Oil on canvas / Óleo sobre tela
122 x 91.5 cm
48.03 x 36.02 in
© 2018 Raffi Kalenderian / Cortesía Fundación AMMA

Further images

  • (View a larger image of thumbnail 1 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 2 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 3 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 4 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 5 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 6 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 7 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 8 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 9 ) Tomoaki Suzuki, Yukina, 2008
  • Jacque
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Retrato frontal de cuerpo entero de una mujer joven que posa relajada delante de un fondo rojo y verde con aires de op art.


Kalenderian usa óleos, acuarelas, grafito y lápices de colores, a veces combinados con un collage de material fotocopiado. Sus cuadros actualizan la tradición retratística de mostrar a los modelos en sus ambientes domésticos, con la particularidad de que los jóvenes de la sociedad que retrata parecen estar siempre a la espera de algo. Además, introduce elaboradas abstracciones en los patrones de los tejidos de ropa y muebles.

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