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The Day I Saw You: Portraits from the Amparo and Manuel Foundation Collection (2025): CEX Ibero, Mexico City - March 26, 2025, to January 7, 2026

Próximas exposiciones exhibition
Open a larger version of the following image in a popup: Esther Pearl, Not much Left , 2019
Open a larger version of the following image in a popup: Esther Pearl, Not much Left , 2019
Open a larger version of the following image in a popup: Esther Pearl, Not much Left , 2019
Open a larger version of the following image in a popup: Esther Pearl, Not much Left , 2019
Open a larger version of the following image in a popup: Esther Pearl, Not much Left , 2019
Open a larger version of the following image in a popup: Esther Pearl, Not much Left , 2019

Esther Pearl Frankfurt, Alemania, b. 1973

Not much Left , 2019
Acrylic and glitter on panel
101.6 x 152.4 cm
40 x 60 in
© 2019 Esther Pearl / Courtesy Fundación AMMA
Photo: Sergio Ortiz

Further images

  • (View a larger image of thumbnail 1 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 2 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 3 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 4 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 5 ) Tomoaki Suzuki, Yukina, 2008
  • (View a larger image of thumbnail 6 ) Tomoaki Suzuki, Yukina, 2008
View on a wall
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A nighttime scene in a parking lot—somewhere between a votive offering and a teen movie. There are cars, a waitress standing in the doorway of the establishment, customers, and signs advertising chain stores... It is all richly colored and possesses a slightly magical air, especially given the magnificent cosmic spectacle of comets and shooting stars unfolding in the sky—a sky to which the figures seem to be turning their backs.
Esther Pearl’s work draws inspiration from her father and her childhood. She specializes in depicting scenes of everyday life in settings such as farmland, highways, pawnshops, playgrounds, and parking lots, complementing these images with brief, diary-like inscriptions in the corner of each painting and the presence of flying saucers that illuminate the scenes.
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Av. Las Flores 64 A,

Campestre, Álvaro Obregón,

01040, Mexico City. 

 

Authorized donee since 2012.

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