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How to See the (In)visible? (2025): El Atrio Cultural Center at the Museum of the Viceroyalty, San Luis Potosí

Past Exhibitions exhibition
13 March - 10 August 2025
Open a larger version of the following image in a popup: Matt Mullican, Untitled (2x2 Elements Sign), 2015
Open a larger version of the following image in a popup: Matt Mullican, Untitled (2x2 Elements Sign), 2015
Open a larger version of the following image in a popup: Matt Mullican, Untitled (2x2 Elements Sign), 2015
Open a larger version of the following image in a popup: Matt Mullican, Untitled (2x2 Elements Sign), 2015
Open a larger version of the following image in a popup: Matt Mullican, Untitled (2x2 Elements Sign), 2015
Open a larger version of the following image in a popup: Matt Mullican, Untitled (2x2 Elements Sign), 2015
Open a larger version of the following image in a popup: Matt Mullican, Untitled (2x2 Elements Sign), 2015

Matt Mullican EUA, b. 1951

Untitled (2x2 Elements Sign), 2015
Oilstick, gouache on canvas rubbing
200 x 200 cm
78 3/4 x 78 3/4 in
© 2015 Matt Mullican / Courtesy Fundación AMMA
Photo: Sergio Ortiz

Further images

  • (View a larger image of thumbnail 1 ) Michael Van Ofen, Toqueville (Head), 2008
  • (View a larger image of thumbnail 2 ) Michael Van Ofen, Toqueville (Head), 2008
  • (View a larger image of thumbnail 3 ) Michael Van Ofen, Toqueville (Head), 2008
  • (View a larger image of thumbnail 4 ) Michael Van Ofen, Toqueville (Head), 2008
  • (View a larger image of thumbnail 5 ) Michael Van Ofen, Toqueville (Head), 2008
  • (View a larger image of thumbnail 6 ) Michael Van Ofen, Toqueville (Head), 2008
  • (View a larger image of thumbnail 7 ) Michael Van Ofen, Toqueville (Head), 2008
View on a wall
Read more
Four white circles stand out against a green square, arranged symmetrically in the four quadrants. The piece’s pop and geometric style is contrasted by the irregularity of the finish; there are small spots and imperfections that hint at the manufacturing process.
Mullican uses symbols, pictograms, and images from everyday life to create a personal language system that emerges as a model of cognitive perception, which the artist symbolizes through color. His artworks include finger paintings, colored flags, pictograms, reading performances, and hypnosis experiments on himself and others.
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