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How to See the (In)visible? (2025): El Atrio Cultural Center at the Museum of the Viceroyalty, San Luis Potosí - March 13 through August 10, 2025

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Overview
How to See the (In)visible? (2025), El Atrio Cultural Center at the Museum of the Viceroyalty, San Luis Potosí -...

March 13 through August 10, 2025.

 

Seeing is not an absolute act. The (in)visible is not absence, but rather a tension between what is perceived and what eludes the gaze. This exhibition brought together drawings, paintings, sculptures, and photographs from the Amparo and Manuel Foundation’s collection—works that function as active forces: fluctuating, unstable, in constant collision.

 

Thresholds suggest zones of transit, spaces where the image is not a closed form, but a crossing between the invisible and the ubiquitous. Moments capture the ephemeral, highlighting the fragility of time and the impossibility of retaining it. Frictions manifest in encounters between opposing forces, points of resistance and conflict that generate a rupture or negation.

 

Through this selection, the exhibition seeks to challenge the notion of art as mere representation. By transcending the image, the works produce an experience that does not depend on their narrative character, but rather on the possibility of glimpsing different spatial, temporal, and oppositional relationships. The image ceases to be a fixed sign and becomes an event: something that occurs, unfolds, and expands before the viewer’s eyes.

 

Guest Curator: Emil Becerril

 

Museo del Virreinato “Centro Cultural el Atrio” 
Villerias 115, Historic Center, 78000
San Luis Potosí, S.L.P.
Exhibition included with museum admission

Hours:
Tuesday through Saturday
10:00 a.m. to 7:00 p.m.
Sunday
11:00 a.m. to 6:00 p.m.

 

Videos
  • Visit the exhibition

    Visit the exhibition

    “How to See the (In)visible?” (2025) - Museo del Virreinato SLP Read more
  • Opening

    Opening

    “How to See the (In)visible?” (2025) - Museo del Virreinato SLP Read more
  • Installation process

    Installation process

    “How to See the (In)visible?” (2025) - Museo del Virreinato SLP Read more
  • Interview with Museum Staff

    Interview with Museum Staff

    “How to See the (In)visible?” (2025) - Museo del Virreinato SLP Read more
Installation Views
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Additional views
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Works
Open a larger version of the following image in a popup: Bert Stern, Marilyn Monroe behind a crucifix, from The Last Sitting for Vogue, 1962
Open a larger version of the following image in a popup: Xavier Veilhan, Laurence, 2017
Open a larger version of the following image in a popup: Matt Mullican, Untitled (2x2 Elements Sign), 2015
Open a larger version of the following image in a popup: Rose Wylie, I Like to Be, 2020
Open a larger version of the following image in a popup: Ania Hobson, Ania, 2016
Open a larger version of the following image in a popup: Genieve Figgis, Ladies at Versailles, 2022
Open a larger version of the following image in a popup: Andi Fischer, Ya ya narrenschiff, 2022
Open a larger version of the following image in a popup: Henri Cartier, Behind the gare St. Lazare, Paris, 1932
Open a larger version of the following image in a popup: Stanley Whitney, Untitled, 2016
Open a larger version of the following image in a popup: Grace Metzler, Sisters from different misters, 2022
Open a larger version of the following image in a popup: Hernan Bas, Three Vampires, 2020
Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012
Open a larger version of the following image in a popup: David Hockney, Arrival of Spring in Woldgate, East Yorkshire in 2011 (plate 5), 2011
Open a larger version of the following image in a popup: George Rodrigue, Happy Days Are Here Again, 2002
Open a larger version of the following image in a popup: Kent Iwemyr, Sommaren med Albert, 2020
Open a larger version of the following image in a popup: John Sonsini, David, Jose, Santiago, Lorenzo and Pedro, 2006
Open a larger version of the following image in a popup: Oscar Cueto, Diez malas criticas, 2006
Open a larger version of the following image in a popup: Oscar Cueto, 10 malas criticas , 2004
Open a larger version of the following image in a popup: David Shrigley, Untitled (Don't), 2013
Open a larger version of the following image in a popup: David Shrigley, Untitled (Kick the skull...), 2013
Open a larger version of the following image in a popup: David Shrigley, Untitled (Stop drawing...), 2013
Open a larger version of the following image in a popup: David Shrigley, Untitled (Vermin), 2013
Open a larger version of the following image in a popup: Klaas Rommelaere, Escape Route: in order to be successful one must project an image of success at all time, 2019
Open a larger version of the following image in a popup: Ulf Puder, Hafenbecken, 2014
Open a larger version of the following image in a popup: Zeh Palito, Your love is king, 2022
Open a larger version of the following image in a popup: Hans Scheib, Morgen (Tomorrow), 2009
Open a larger version of the following image in a popup: Michael Van Ofen, Officer (Offizier), 2008
Open a larger version of the following image in a popup: Michael Van Ofen, Toqueville (Head), 2008
  • Bert Stern, Marilyn Monroe behind a crucifix, from The Last Sitting for Vogue, 1962
  • Xavier Veilhan, Laurence, 2017
  • Matt Mullican, Untitled (2x2 Elements Sign), 2015
  • Rose Wylie, I Like to Be, 2020
  • Ania Hobson, Ania, 2016
  • Genieve Figgis, Ladies at Versailles, 2022
  • Andi Fischer, Ya ya narrenschiff, 2022
  • Henri Cartier, Behind the gare St. Lazare, Paris, 1932
  • Stanley Whitney, Untitled, 2016
  • Grace Metzler, Sisters from different misters, 2022
  • Hernan Bas, Three Vampires, 2020
  • Tracey Emin, Lonely Chair drawing II, 2012
  • David Hockney, Arrival of Spring in Woldgate, East Yorkshire in 2011 (plate 5), 2011
  • George Rodrigue, Happy Days Are Here Again, 2002
  • Kent Iwemyr, Sommaren med Albert, 2020
  • John Sonsini, David, Jose, Santiago, Lorenzo and Pedro, 2006
  • Oscar Cueto, Diez malas criticas, 2006
  • Oscar Cueto, 10 malas criticas , 2004
  • David Shrigley, Untitled (Don't), 2013
  • David Shrigley, Untitled (Kick the skull...), 2013
  • David Shrigley, Untitled (Stop drawing...), 2013
  • David Shrigley, Untitled (Vermin), 2013
  • Klaas Rommelaere, Escape Route: in order to be successful one must project an image of success at all time, 2019
  • Ulf Puder, Hafenbecken, 2014
  • Zeh Palito, Your love is king, 2022
  • Hans Scheib, Morgen (Tomorrow), 2009
  • Michael Van Ofen, Officer (Offizier), 2008
  • Michael Van Ofen, Toqueville (Head), 2008
Bert Stern, Marilyn Monroe behind a crucifix, from The Last Sitting for Vogue, 1962

Related artists

  • Hernan Bas

    Hernan Bas

  • Henri Cartier-Bresson

  • Oscar Cueto

    Oscar Cueto

  • Tracey Emin

    Tracey Emin

  • Ania Hobson

    Ania Hobson

  • David Hockney

    David Hockney

  • Kent Iwemyr

    Kent Iwemyr

  • Grace Metzler

    Grace Metzler

  • Matt Mullican

    Matt Mullican

  • Zéh Palito

  • Ulf Puder

    Ulf Puder

  • George Rodrigue

    George Rodrigue

  • Klaas Rommelaere

    Klaas Rommelaere

  • Hans Scheib

    Hans Scheib

  • David Shrigley

    David Shrigley

  • John Sonsini

    John Sonsini

  • Bert Stern

    Bert Stern

  • Michael Van Ofen

    Michael Van Ofen

  • Xavier Veilhan

    Xavier Veilhan

  • Stanley Whitney

    Stanley Whitney

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