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    Open a larger version of the following image in a popup: Alexander Kaletski, Woman with flowers, 2016
    Open a larger version of the following image in a popup: Alexander Kaletski, Woman with flowers, 2016
    Open a larger version of the following image in a popup: Alexander Kaletski, Woman with flowers, 2016
    Open a larger version of the following image in a popup: Alexander Kaletski, Woman with flowers, 2016
    Open a larger version of the following image in a popup: Alexander Kaletski, Woman with flowers, 2016
    Open a larger version of the following image in a popup: Alexander Kaletski, Woman with flowers, 2016
    Open a larger version of the following image in a popup: Alexander Kaletski, Woman with flowers, 2016
    Open a larger version of the following image in a popup: Alexander Kaletski, Woman with flowers, 2016

    Alexander Kaletski Moscú, Rusia, b. 1946

    Woman with flowers, 2016
    Mixed media on cardboard / Técnica mixta sobre cartón
    148 x 121 cm
    58 1/4 x 47 5/8 in
    © 2016 Alexander Kaletski / Cortesía Fundación AMMA

    Further images

    • (View a larger image of thumbnail 1 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 2 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 3 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 4 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 5 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 6 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 7 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    • (View a larger image of thumbnail 8 ) Glenn Ligon, Issac Hayes (version 1) #1, 2000
    Read more

    Pintada sobre cajas de champán Veuve Clicquot desensambladas que, por su tono naranja, le confieren un tono cálido a la escena, una mujer se dispone a comer. Los logos de las cajas se aprovechan para la representación de la vajilla. La mujer está tocada con hojas, y en su hieratismo presenta reminiscencias del arte de los iconos, que se añade a cierto aire constructivista general.


    Si bien practica también la escultura y el videoarte, Alexander Kaletski es sobre todo conocido por su aprovechamiento de cajas de cartón, que pinta y con las que monta collages. El hallazgo de las cajas desechadas forma parte del proceso creativo del artista, introduciendo así el ready made en un cuerpo de trabajo que incorpora con total naturalidad trazas de otros movimientos históricos.

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