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How to See the (In)visible? (2025): El Atrio Cultural Center at the Museum of the Viceroyalty, San Luis Potosí - March 13 through August 10, 2025

Próximas exposiciones exhibition
Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012
Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012
Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012
Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012
Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012
Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012
Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012
Open a larger version of the following image in a popup: Tracey Emin, Lonely Chair drawing II, 2012

Tracey Emin Londres, b. 1963

Lonely Chair drawing II, 2012
Gouache on paper / Gouache sobre papel
111 x 151 cm
43 3/4 x 59 1/2 in
© 2012 Tracey Emin / Courtesy Fundación AMMA
Photo: Alejandro Paez

Further images

  • (View a larger image of thumbnail 1 ) Michael Van Ofen, Toqueville (Head), 2008
  • (View a larger image of thumbnail 2 ) Michael Van Ofen, Toqueville (Head), 2008
  • (View a larger image of thumbnail 3 ) Michael Van Ofen, Toqueville (Head), 2008
  • (View a larger image of thumbnail 4 ) Michael Van Ofen, Toqueville (Head), 2008
  • (View a larger image of thumbnail 5 ) Michael Van Ofen, Toqueville (Head), 2008
  • (View a larger image of thumbnail 6 ) Michael Van Ofen, Toqueville (Head), 2008
  • (View a larger image of thumbnail 7 ) Michael Van Ofen, Toqueville (Head), 2008
  • (View a larger image of thumbnail 8 ) Michael Van Ofen, Toqueville (Head), 2008
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Una mujer desnuda, más desmoronada que sentada sobre una silla. Los rasgos están desdibujados. La sencillez de la técnica, un dibujo en negro de trazos fluidos, es suficiente para transmitir la sensación de extenuación.


Emin descubre en el arte una terapia para superar traumas de su juventud, recreando su propia memoria llena de dolor. En su obra plasma franqueza cruda y sufrimiento con temas como el sexo, los excesos, las drogas y las resacas, que trata en distintos medios como la escultura, el dibujo, la instalación o el video.

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Av. Las Flores 64 A,

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